Tagung und Konzert

Begrüssung & Einleitung / Welcome & Introduction
Martin Kirnbauer (Schola Cantorum Basiliensis)
Agnese Pavanello (Schola Cantorum Basiliensis)

Giulia Giovani (Università degli Studi di Siena)
Bologna in Torelli's time: Social, political, artistic context and musical opportunities

Enrico Gatti (The Royal Conservatoire Den Haag / Conservatorio di Bologna)
“Like a consort of several instruments”. Multi- chordal practice on the violin in Italy during the 17th and early 18th century: The case of Giuseppe Torelli in its context

Constance Frei (Université de Lausanne)
“I frutti mero caprizioso parto dell’arco”: Giuseppe Torelli printed by Micheletti

Valeria Mannoia (Università degli Studi di Pavia)
I Concerti musicali opus 6 (1698): The historical context and genesis between tradition and innovation

Johannes Menke (Schola Cantorum Basiliensis) Torelli's Brandenburg Concerti: Formal and tonal strategies in op. 6

Piotr Wilk (Jagiellonian University, Kraków)
Creating a new musical genre on the example of the concertos from op. 5, 6 and 8 by Giuseppe T orelli

Marc Vanscheeuwijck (University of Oregon / Conservatoire royal de Bruxelles)
Torelli’s large-scale compositions for San Petronio: reflections upon performance practices

Jean-Francois Madeuf (Schola Cantorum Basiliensis)
Trumpet music of Giuseppe Torelli

Federico Lanzellotti (Universität Basel)
Torelli as composer of sinfonie

Chiara Cattani (Conservatorio di Ravenna)
Giuseppe Torelli, opus 8: Concerti grossi and solo violin concertos